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George Nelson(乔治•尼尔森)  

Product:George Nelson(乔治•尼尔森)
Material:
Color:
Delivery:3 天
Description:
Name:George Nelson
Year:1908-1986
Country:United States

Museum:George Nelson (1908-1986) was, together with Charles & Ray Eames, one of the founding fathers of American modernism. We like to think of George Nelson as "The Creator of Beautiful and Practical Things".

George Nelson was born in Hartford Connecticut in 1908.
He passed away in New York City in 1986.

George Nelson studied Architecture at Yale University, where he graduated in 1928. He also received a bachelor degree in fine arts in 1931. A year later while preparing for the Paris Prize competition he won the Rome prize. With Eliot Noyes, Charles Eames and Walter B. Ford.

George Nelson was part of a generation of architects that found too few projects and turned successfully toward product, graphic and interior design.

Based in Rome he travelled through Europe where he met a number of the modernist pioneers. A few years later he returned to the U.S.A. to devote himself to writing. Through his writing in "Pencil Points" he introduced Walter Gropius, Mies van der Rohe, Le Corbusier and Gio Ponti to North America. At "Architectural Forum" he was first associate editor (1935- 1943) an later consultant editor (1944-1949). He defended sometimes ferociously the modernist principles and irritated many of his colleagues who as "industrial designers" made, according to Nelson too many concessions to the commercial forces in industry.

By 1940 George Nelson had drawn popular attention with several innovative concepts. In his post-war book: Tomorrow's House, for instance he introduced the concept of the"family room". One of those innovative concepts, the "storagewall" attracted the attention of D.J. De Pree, Herman Miller's president. In 1945 De Pree asked him to become Herman Miller's design director, an appointment that became the start of a long series of successful collaborations with Ray and Charles Eames, Harry Bertoia, Richard Schultz, Donald Knorr and Isamu Noguchi. Although both Bertoia and Noguchi expressed later on regrets about their involvement, it became a uniquely successful period for the company and for George Nelson. He set new standards for the involvement of design in all the activities of the company, and in doing so he pioneered the practice of corporate image management, graphic programs and signage.

George Nelson's catalogue design and exhibition designs for Herman Miller close a long list of involvements designed to make design to the most important driving force in the company. From his start in the mid-forties to the mid-eighties his office worked for and with the best of his times. At one point Ettore Sottsass worked at his office. He was without any doubt the most articulate and one of the most eloquent voices on design and architecture in the U.S.A. of the 20th century. He was a teacher and he did write extensively, organized conferences like the legendary Aspen gatherings and published several books. Among the best known designs are his marshmallow sofa, the coconut chair, the Catenary group, his clocks and many other products that became milestones in the history of a profession that he helped to shape.

美国极具影响力的建筑师、家俱设计师和产品设计师,曾经担任Herman Miller家俱公司的艺术总监长达20年,可以说和Eames夫妇一起形塑了美国现代家俱的样貌。他最知名的Marshmallow沙发和Ball Clock都像糖果一样色彩斑斓,是早期波普风格家俱的代表作品。

  尼尔森于1931年毕业于耶鲁大学建筑系,而后获得罗马奖学金,于1932-1934年去罗马的美国学院学习。1935年他成为《建筑形式》杂志的副主编,同时又为当时一本主要杂志《铅笔尖》撰写了大量文章,介绍当时著名的建筑师,为现代建筑的发展推波助澜。从1936年至1941年尼尔森与好友在纽约成立合伙人建筑事务所,而后又任教于耶鲁大学建筑系,此间发展出一系列建筑设计和城市规划的新概念,包括最早的,绿色设计的概念。从1941年至1944年他任教于哥伦比亚大学的建筑系,1946年又担任纽约帕松斯(Parsons)设计学校室内设计系的顾问,同年他受聘接替吉尔伯特•罗德后任赫曼•米勒公司(Herman Miller Co.)的设计部证件,直到1972退休。在任职米勒公司期间他成功地延请了许多第一流的家具设计师加盟米勒公司,如查尔斯& 8226;伊莫斯、亚历山大•吉拉德(Alexande Griard)等,使米勒公司成为世界上最有影响的家具之作公司之一。与此同时,尼尔森开始发展他自己的设计事务所,不仅设计家具,还设计灯具、钟表、塑料制品等工业产品。1975年以后他开始关注建筑中的环境设计,是最早注意研究建筑生态学的建筑师之一。作为著名的设计评论家,尼尔森的设计思想影响非常大,并时常富有卓越的远见。

  尼尔森家具设计中最有创新的可能是他对模数制储藏家具系列及模数制办公家具的研究,这两种系统都在世界范围内产生了影响。尼尔森的椅子和沙发设计也非常有创意,如1955年设计的“椰子椅”,如名称所示,其设计构思源自椰子壳的一部分,这件椅子尽管看起来很轻便,但由于“椰子壳”为金属材料,其份量并不轻。尼尔森另一件著名的家具设计是1956年“向日葵沙发”,该沙是发主体在此被分解成一个个的小圆的效果,其色彩的大胆使用和明确的集合形式都预示着60年人波普艺术(POP)的到来。尼尔森对模数的钟爱也扩展到他的沙发设计中,其简洁的造型和自由组合的构思多年主宰着家具市场,60 年代尼尔森设计出的家用椅、酒吧椅等曾引起广泛的关注
该设计师其他照片
Manufacturer:Vitra
Vitra designs the places where people work - be in the office, at home, or on the road. The goal: to make the place of work as appealing, productive and healthy as possible. Our furniture is to be found in countless successful companies and organizations, as well as in the homes of many private individuals with a feel for design. Active internationally, we work together with the major designers of the day. For over 50 years now we have been manufacturing the furniture created by the famous US designers, Charles and Ray Eames.
Philosophy

We are convinced that rooms and interior design have a decisive influence on people's motivation, performance and health. So we have made it our mission to develop furniture and furnishing systems that stimulate, inspire and motivate, while also offering the body comfort, safety and support. In order to attain this goal, we work with renowned designers and a specialized Vitra team. We experiment with new ideas, and are continuously tackling the new challenges of the world of work.
Ecology

Our contribution to ecological conservation does not stop with a close examination of materials and processes. All aspects of the company's work involve ecological thinking. In 1991, we set up an internal ecology committee to discuss environmental topics. This team identifies new tasks, and its project teams work together to find solutions. For example, Vitra uses only non-CFC foams and adhesives free of toxic solvents; all possible materials are recycled. Wherever possible, we use recycled materials. Our goal during production is to minimize noise and emission levels as well as to reduce waste. Packaging materials are kept to a minimum and re-used as often as possible. In March, 1997, we voluntarily had an eco-audit of the company. We believe our most important contribution is the fact that we insist on producing durable products of the highest quality and with a timeless design. This means our products can give their owners years of service.
Ergonomics

Ergonomics is an applied science that studies the relationship between human beings and machines. We produce furniture that responds to the ergonomic requirements of the body and as a consequence has a positive effect on health and well-being. All Vitra products (except for the experimental series Vitra Edition) have been tested by independent institutions. They comply with prescribed standards under the European Directive on VDU Work and are marked with the GS seal (= Geprüfte Sicherheit or Tested Safety, seal of the independent certification company LGA).
Quality

The first step in quality is getting the right materials from reliable suppliers. Once in the factory, our staff manufacture our furniture to precise standards, individually ensuring the quality of each product. Vitra has been certified for DIN EN ISO 9001 : 2000. Our focus on quality does not end at the factory door - we believe that providing clients with premier service is just as important as manufacturing furniture. In order to make certain our clients enjoy consistently high quality in all Vitra products, we have set up our own test center which monitors products against criteria that are far more stringent than the statutory standards.
Design

Design is the process by which almost all objects in our surroundings are instilled with a specific design and function - from cars to paper clips, from clothing to chairs. And design does not just mean giving things a shape. Design creates the basis which enables things to function in the desired manner. It is a process in which complementary but often mutually contradictory requirements have to be met (comfort, technology, ergonomics, ecology, economics, aesthetics...). Design can be successful only when the balance of all these factors is attained.
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